I don’t shoot everything in HDR. Honest, I don’t. However, Hong Kong is such a visual, visceral experience, quite beyond the ordinary sense, bordering on the overwhelming, that High Dynamic Range imagery seemed to be appropriate. Sometimes, I know, HDR–my HDR shots–skirt quite close to the edge of going over the top. I’m still trying to figure out where that edge is, what’s appropriate for the subject, what’s appropriate for the viewer. I certainly haven’t found that place–yet. I haven’t been doing this long enough. My wife sometimes tells me my HDR shots look like bad ’70s blacklight posters.
C’est la vie.
It’s fun and it looks cool. I can’t draw. I don’t use a brush. But, if I did, my impressionist paintings might also look like bad ’70s blacklight posters.
C’est la vie, again.
I would, at some point like to approach art, not just capture, although, I think I look at the world with a documentarian’s eye. I do enjoy the candid, the natural, the slice of life, the story in the moment.
I didn’t throw all my visual sensibilities out the window when I landed in Hong Kong. I did capture some of those images. Nevertheless, the striking structures of Hong Kong demanded that I shoot more than one image and compelled me to combine them in my favorite HDR tone mapping software. So, if that wasn’t enough of an apology, here is gallery of Hong Kong, HDR style.
And, by the way, I’d love to know if galleries work best for viewing these images, or, if posting them individually over several days is more enjoyable. Thanks, and I hope some of the fun I had in Hong Kong rubs off on you and brightens your day.
Thanks.